Interview met Nina Siegal voor het Amsterdam Writers’ Platform, gepresenteerd door Bob Bragar.

 
 

Set on a single day in the Dutch Golden Age, this engrossing historical novel brilliantly imagines the complex story behind one of Rembrandt’s most famous paintings.

Commissioned by the Amsterdam surgeon’s guild, “The Anatomy Lesson of Dr. Nicolaes Tulp” was the first major work by Rembrandt to be proclaimed a masterpiece. The novel opens on the morning of the medical dissection, and, as they prepare for that evening’s big event, it follows several characters: a one-handed coat thief called Aris the Kid, who is awaiting his turn at the gallows; Flora, the woman pregnant with his child who hopes to save him from the noose; Jan Fetchet, a curio collector who also moonlights as an acquirer of medical cadavers; René Descartes, who attended the dissection in the course of his quest to understand where the human soul resides; and the 26-year old young master himself, who feels a shade uneasy about his assignment. Then there’s Pia, an art restorer who is examining the painting in contemporary times. As the story builds to its dramatic and inevitable conclusion, the events that transpire throughout the day sway Rembrandt to change his initial composition in a fundamental way. Bringing to life the vivid world of Amsterdam in 1632, The Anatomy Lesson offers a rich slice of history and a textured story by a masterful young writer.

Nina Siegal grew up in New York City and Great Neck, Long Island, but these days she lives in Amsterdam, the Netherlands, where she works as an author and a frequent contributor to the International New York Times. She got her BA at Cornell University and her MFA in Fiction at the Iowa Writers Workshop. Although she has written extensively about women in US prisons, housing and homelessness, and all sorts of urban cultural issues, Siegal lately focuses on the intersection of art and society, which is also the theme of both her novels.